MBC INTERACTIVE ARCHIVE - USA: No Wave and the Cinema of Transgression

USA | 1980s

USA | 1980s

USA: No Wave and the Cinema of Transgression

No Wave and the Cinema of Transgression

“We propose that all film schools be blown up and all boring films never be made again” – Nick Zedd

Nunc magna lacus, viverra sit amet varius a, auctor eget nibh. Aenean ullamcorper urna convallis, sollicitudin purus quis, ultrices erat. Suspendisse nec ligula nunc. Vestibulum pellentesque sed arcu sed pretium. Donec vestibulum mi eu tortor tristique auctor. Aenean massa elit, pharetra et efficitur ac, sodales sed neque. Ut gravida commodo dui, nec feugiat erat fermentum et. Mauris pulvinar rhoncus eros. Sed dictum vitae eros id placerat.

1b Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

1c Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

The Players

379 Amos Poe, Unmade Beds, 1976. USphoto

380 Jim Jarmusch by Laurence Sudre, 1980s. npc

380 Jim Jarmusch, Mystery Train, 1989. Gp

387 Susan Seidelman, Making Mr. Right, 1987. USstill

392b Lizzie Borden, Working Girls, 1986. USstill

392c Louise Smith, Working Girls, 1986. USstill

397h Iggy Pop, Coffee and Cigarettes, 1986. Fcpb

397i Tom Waites, Coffee and Cigarettes, 1986. Fcpb

439 Kembra Pfahler, The Voluptuous Horror of Karen Black, 1980. USstill

443b David Wojnarowicz, Tongues of Flame, 1990. UScat

443c Lung Leg by Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

443e-1 Lung Leg by Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

446 Tom DiCillo, 1990. USstill

450 Tina Louise, Johnny Suede, 1991. USstill

452 Chloe Sevigny, Trees Lounge, 1996. USstill

460 Kathryn Bigelow, Near Dark, 1987. USstill

1000 Kevin J. O_Connor, Candy Mountain, 1987. USstill

Amos Poe, The Blank Generation, 1976. USvhs

NO WAVE CINEMA: AMOS POE

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

358 Amos Poe, The Blank Generation, 1976. USvhs

361 Amos Poe, Subway Riders, 1981. USdvd

363 Celine Danhier, Blank City, 2016. US1sheet

SUSAN SEIDELMAN

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

385c Susan Seidelman, Smithereens, 1982. Fcpc

385 Susan Seidelman, Smithereens, 1982. Fcpc

385d Susan Seidelman, Smithereens, 1982. Fcpc

386 Susan Seidelman, Desperately Seeking Susan, 1985. USstill

LIZZIE BORDEN

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

391b Lizzie Borden, Born in Flames 1983 inspired by The Sword of God by Red Crayola, 1980. USlp

390 Lizzie Borden, Born in Flames 1983 inspired by The Sword of God by Red Crayola, 1980. USlp

392f Lizzie Borden, Working Girls, 1986. USstill

392d Lizzie Borden, Working Girls, 1986. USstill

392 Lizzie Borden, Working Girls, 1986. USpb

392e Lizzie Borden, Working Girls, 1986. USstill

KATHRYN BIGELOW

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

388 Kathryn Bigelow, The Loveless, 1981. USad

389-3 Kathryn Bigelow, Blue Steel, 1990. USstill

389-2 Kathryn Bigelow, Blue Steel, 1990. FmrCinema

388-2 Kathryn Bigelow, Near Dark, 1987. USstill

JIM JARMUSCH

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

394 Jim Jarmusch, Starnger Than Paradise, 1984. Fpc

393 Jim Jarmusch, Stranger Than Paradise, 1984. USStill

395 Jim Jarmusch, Stranger Than Paradise, 1984. Jp

395b Jim Jarmusch, Stranger Than Paradise, 1984. Jp

395i Jim Jarmusch, Stranger Than Paradise, 1984. Jp

395l Jim Jarmusch, Stranger Than Paradise, 1984. Jp

395g Jim Jarmusch, Stranger Than Paradise, 1984. Jp

397 Jim Jarmusch, Coffee and Cigarettes, 1986. USposter

397f Jim Jarmusch, Coffee and Cigarettes, 1986. Fcpb

398 Jim Jarmusch, Down By Law, 1986. Gp

397g Jim Jarmusch, Coffee and Cigarettes, 1986. Fcpb

399 Jim Jarmusch, Mystery Train, 1989. Gp

Tom DiCillo

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

447 Tom DiCillo, Brad Pitt, Johnny Suede, 1991. USstill

448 Tom DiCillo, Living in Oblivion, 1995. USposter

450 Tom DiCillo, Delirious, 2007. USdvd

Steve Buscemi

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

452b Steve Buscemi, Trees Lounge, 1996. Jc

452c Steve Buscemi, Trees Lounge, 1996. Jc

452 Steve Buscemi, Trees Lounge, 1996. USstill

Vincent Gallo

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

408b Vincent Gallo, Buffalo 66, 1998. Jp

408f Vincent Gallo, Buffalo 66, 1998. Jp

408 Vincent Gallo, Buffalo 66, 1998. Jp

408j Vincent Gallo, Buffalo 66, 1998. Jp

408l Vincent Gallo, Buffalo 66, 1998. Jp

408p Vincent Gallo, Buffalo 66, 1998. Jp

409 Vincent Gallo, The Brown Bunny, 2003. Fcpb

409b Vincent Gallo, The Brown Bunny, 2003. Fcpb

409c Vincent Gallo, The Brown Bunny, 2003. Fcpb

409d Vincent Gallo, The Brown Bunny, 2003. Fcpb

Cinema of Trans-
gression: Scott B and Beth B

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

424 Scott B and Beth B, Vortex, 1981. USlp

425 Beth B, Salvation, Have You Said Your Prayers Today, 1987. USstill

424c Scott B and Beth B, Vortex, 1981. USlp

Nick Zedd

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

433i-1 Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr (3)

433j-1 Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

430 Nick Zedd live, 1985. Gposter

431 Nick Zedd, They Eat Scum, 1979. USflyer Film Threat, No. 10, 1986. USmag

431b Nick Zedd, They Eat Scum, 1979. USflyer Film Threat, No. 10, 1986. USmag

432 Alternative Press No. 8, Nick Zedd and Robyn Hitchcock, 1985. USmag

432b Alternative Press No. 8, Nick Zedd and Robyn Hitchcock, 1985. USmag

433c Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

433e Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

437 Nick Zedd, Cinema of Transgression Festival, 2013. UShandbill

433f Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

433p Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr

Richard Kern
and
Lydia Lynch

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

444 Lydia Lunch and Chris Connelly, Spoken Word Performance at Top Note Theatre, 1980s. USposter

440 Richard Kern, Manhattan Love Suicides, 1985. Film Threat, No. 10, 1986. USmag

442 Richard Kern, Lydia Lunch, Scream, 1989. USflyer

440b Ricahrd Kern, Manhattan Love Suicides, 1985. David Wojnarowicz, Tongues of Flame, 1990. UScat

442j Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

442f Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

442c Richard Kern, Deborah_s Teeth, 1997. USpc

442d-1 Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

442e Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

442i Richard Kern, Kern Noir, 2002. Charta USbook Autographed by Richard Kern

David Wojnar-
owicz

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

443 David Wojnarowicz, Tongues of Flame, 1990. UScat

443f David Wojnarowicz, Tongues of Flame, 1990. UScat (2)

443i David Wojnarowicz, Tongues of Flame, 1990. UScat

443f David Wojnarowicz, Tongues of Flame, 1990. UScat

443e David Wojnarowicz, Tongues of Flame, 1990. UScat

443c David Wojnarowicz, Tongues of Flame, 1990. UScat

443z Rosa von Praunheim, Die Aids-Trilogie, Silence=Death, 1990. David Wojnarowicz by Andreas Sterzing, 1999. Gpc

443h David Wojnarowicz, Tongues of Flame, 1990. UScat (2)

Jon Moritsugu

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

446 Jon Moritsugu, Static Magazine No. 1, 1996. USzine

446d Jon Moritsugu, Static Magazine No. 1, 1996. USzine

446b Jon Moritsugu, Static Magazine No. 1, 1996. USzine

And the rest ...

Mauris quis hendrerit sapien. Nullam hendrerit arcu id ipsum pretium volutpat. Ut mattis vulputate mi. Duis ornare est diam, in tincidunt lacus sagittis ac. Pellentesque mattis dolor quis elit ullamcorper finibus. Nulla mollis, mi malesuada ultricies tincidunt, sem tortor semper velit, sit amet posuere nibh turpis sit amet nisl. Sed a scelerisque sem, quis luctus dui. Nam gravida feugiat nibh vitae congue. Nullam sed consectetur nibh. Vivamus dolor neque, faucibus vitae mattis non, auctor ac mauris. Duis a pellentesque quam, sed egestas quam. Nullam nec lacus nec ex vestibulum viverra interdum eu lacus. Aenean consequat leo ac metus porttitor, non rutrum ex aliquet.

457 Rick Sullivan, Gore Gazette, No. 102, 1980. USzine

457b Rick Sullivan, Gore Gazette, No. 102, 1980. USzine

480 Mark Alberding, Deaf Lions, 1985. USflyer

479 Jay Rosenblatt, Blood Test, 1985. USflyer

484 New Coll Gallery 762 Cinematheque presents Sub-Cinema, 1980s. USflyer

465 Lovedolls, Dave Markey, 1980. USflyer

482 David Lipmann, Anarchy in America, 1988. USflyer

485 Anti Film Festival, Alliance Cinema at the Colony Theatre, 1994. USp

485b Anti Film Festival, Alliance Cinema at the Colony Theatre, 1994. USp

485c Anti Film Festival, Alliance Cinema at the Colony Theatre, 1994. USp

500 Angelique Bosio, Llik Your Idols, 2007. USdvd

433b Film Threat, No. 10, 1986. USmag Published by Christian Gore, Royal Oak, MI. Design - Glenn L. Barr