MBC INTERACTIVE ARCHIVE - USA: “The Movie Brats”

The Players

Francis Coppola

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52c -2 Francis Coppola, Finian_s Rainbow, 1968. USsp

50 Francis Coppola, Your_e a Big Boy Now, 1966. USp

51 Francis Coppola, The Rain People, 1969. USh

51c Francis Coppola, The Rain People, 1969. USh

49 Roger Corman, Francis Coppola, Dementia 13 aka The House and the Hunted, 1963. Adaybill

49b Roger Corman, Francis Coppola, Dementia 13 aka The House and the Hunted, 1963. Adaybill

52 Francis Coppola, Finian_s Rainbow, 1968. USsp

53j Franklin J. Schaffner, Patton, 1970. US1sheet

51b Francis Coppola, The Rain People, 1969. USh

165 Francis Coppola, The Godfather, 1972. USsp Autographed by Francis Coppola

165i Francis Coppola, The Godfather, 1972. USsp Autographed by Francis Coppola

163 Francis Ford Coppola, The Godfather, 1972. US1sheet

165d Francis Coppola, The Godfather, 1972. USsp Autographed by Francis Coppola

165b Francis Coppola, The Godfather, 1972. USsp Autographed by Francis Coppola

165f Francis Coppola, The Godfather, 1972. USsp Autographed by Francis Coppola

166 Francis Coppola, The Godfather, 1972. Jticket

167 Francis Ford Coppola, The Godfather, Part II, 1974. US1sheet

167c Francis Coppola, The Godfather Part II, 1974. USsp

167b Francis Coppola, The Godfather Part II, 1974. USsp

167u Francis Coppola, The Godfather Part II, 1974. anfk

168h Francis Coppola, The Godfather Part III, 1990. Gp

168g Francis Coppola, The Godfather Part III, 1990. anfk

168i Francis Coppola, The Godfather Part III, 1990. Gp

168j Francis Coppola, The Godfather Part III, 1990. Gp

169b Francis Coppola, The Conversation, 1974. Fphoto

169c Francis Coppola, The Conversation, 1974. USstill

169d Francis Coppola, The Conversation, 1974. USstill

170 Francis Coppola, Apocalypse Now, 1979. USp

170b Francis Coppola, Apocalypse Now, 1979. USp

171 Francis Coppola, Apocalypse Now, 1979. anfk Autographed by cinematographer Vittorio Storaro

172 Francis Coppola, Apocalypse Now Redux, 2000. USp

172d Francis Coppola, Apocalypse Now Redux, 2000. Finvite Cannes Film Festival outdoor screening

172e Fax Bahr, George Hickenlooper, Eleanor Coppola, Hearts of Darkness, A Filmmaker_s Apocalypse, 1991. US1sheet VHS

172f Eleanor Coppola, Notes on the Making of Apocalypse Now, 2001. USbook

173 Carroll Ballard, The Black Stallion, 1979. USsp

174c Napoléon vu par Abel Gance (Napoleon), 1927. Restoration with live score by Carmine Coppola, 1980. USwpp

174 Napoléon vu par Abel Gance (Napoleon), 1927. Restoration with live score by Carmine Coppola, autographed by Carmine Coppola. 1980 USposter

Martin Scorsese

187 Martin Scorsese, The Big Shave, 1967. USstill

191 Martin Scorsese, Street Scenes 1970, New York Cinetracts Co. ID card of Peter Nellhaus, 1970. USIDcard Autographed by Martin Scorsese, donated by Peter Nellhaus.

Street Scenes 1970

“Street Scenes 1970” was the result of New York University film students responding to the desire to document the student protests that escalated with the shooting of four students at Kent State University in Ohio. While Martin Scorsese, then officially an instructor at the time, was central to the project, it was Professor Jacqueline Park who was able to provide legitimacy as a student activity. Initially there were to be no individual credits. Inspired by Jean-Luc Godard, what became “Street Scenes 1970” was to be credited collectively to New York Cinetracts.

As a Freshman at the time, I was not active in the filmmaking. My official credit is under Communications. What I actually did was a sometime futile attempt to keep track of who had the 16mm cameras and the Nagra recording equipment, and the locations of the various film crews. There was also one late night where I made a run to the DuArt film lab. While Martin Scorsese has kept the one remaining copy restricted in the Museum of Modern Art, it might be said that in the spirit of the times, “Street Scenes 1970” has occasionally been found to be liberated and available through online sources.

-Peter Nellhaus, Film Critic

189 Martin Scorsese, Italian American and American Boy, 1974, 1978. Fposter

192 Martin Scorsese, Barbara Hershey, Boxcar Bertha, 1972. nstill

191a Martin Scorsese, Street Scenes 1970, New York Cinetracts Co card of Peter Nellhaus, 1970. USIDcard autographed by Martin Scrsese, donated by Peter Nellhaus.

195 Martin Scorsese, Mean Streets, 1973. USStill

193 Martin Scorsese, Mean Streets, 1973. anfk

195b Martin Scorsese, Mean Streets, 1973. USstill

194 Martin Scorsese, Mean Streets, 1973. Jp

194b Martin Scorsese, Mean Streets, 1973. Jp

194f Martin Scorsese, Mean Streets, 1973. Jp

196 Martin Scorsese, Alice Doesn_t Live Here Anymore, 1974. Jp

196b Martin Scorsese, Alice Doesn_t Live Here Anymore, 1974. Jp